Steinholt: A Story of the Origin of Names

In the digital era of fast, distracted communication, Christopher Taylor continues to use old, heavy analogue cameras and black-and-white roll film that he develops and prints himself. The photographer's Icelandic summers, swathed in boundless light, are thus followed by long periods of self-imposed darkness. It is through this rigorous regime that his images are distilled, delivered as hymns to beauty in which blacks and whites of endless hue lend an ethereal quality to these snapshots of life.