Global Perspectives on Hallyu: History, Theory, and Postcoloniality

This volume offers an in-depth examination of Hallyu (the Korean Wave), foregrounding its significance as a critical site for cultural, theoretical, and decolonial inquiry. With the emergence of globally recognized phenomena such as BTS and Squid Game, Hallyu has transitioned from a fan-based subculture in Asia to a global cultural phenomenon. This transformation necessitates a reevaluation of the phenomenon and its significance.

The volume is divided into three main parts-historicizing, theorizing, and decolonizing-each offering distinct yet interconnected approaches to interpreting Hallyu. By bringing together historical analysis, theoretical innovation, and decolonial critique, this volume demonstrates that Hallyu is a dynamic framework for understanding the shifting dynamics of global culture in the twenty-first century.