Curating the Moving Image

In Curating the Moving Image, influential curator and theorist Mark Nash draws on his work at
Documenta11, the Venice Biennale, and elsewhere to explore the possibilities of contemporary
curation. Constructing this richly illustrated book as a curatorial project in and of itself, Nash
outlines several key concepts that range from exhibition architecture and curating as an affective
and artistic practice to post-cold war aesthetics and contemporary Chinese art. Throughout these
essays on contemporary art, film, and installation, Nash offers critical commentary and reflection
on exhibitions he has curated, including those that focus on socialist and utopian ideals following
the end of the Cold War.